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As they can now be collected under one concept, so it became clearer and clearer to me little by little that the view could still be enlivened in a higher way: a demand that I had in mind at that time under the sensual form of a supersensual archetypal plant. I followed all the forms, as they appeared to me, in their changes, and thus at the last destination of my journey, in Sicily, the original identity of all plant parts became completely clear to me, and I now sought to pursue this everywhere and to become aware of it again.|Goethe|''The author shares the story of his botanical studies'' (1817)<ref>Goethe, Johann Wolfgang von; Kuhn, Dorothea; Troll, Wilhelm; Wolf, Karl Lothar (1964): ''Aufsätze, Fragmente, Studien zur Morphologie''. Vollst. mit Erl. vers. Ausg. Weimar: Böhlau.</ref>}}
As they can now be collected under one concept, so it became clearer and clearer to me little by little that the view could still be enlivened in a higher way: a demand that I had in mind at that time under the sensual form of a supersensual archetypal plant. I followed all the forms, as they appeared to me, in their changes, and thus at the last destination of my journey, in Sicily, the original identity of all plant parts became completely clear to me, and I now sought to pursue this everywhere and to become aware of it again.|Goethe|''The author shares the story of his botanical studies'' (1817)<ref>Goethe, Johann Wolfgang von; Kuhn, Dorothea; Troll, Wilhelm; Wolf, Karl Lothar (1964): ''Aufsätze, Fragmente, Studien zur Morphologie''. Vollst. mit Erl. vers. Ausg. Weimar: Böhlau.</ref>}}
Goethe received essential stimuli for his plant studies on his trip to Italy, which he embarked on in 1786. Already on the way over the Brenner Pass, he was able to gain important insights into how the climate modifies growth forms:
{{Quote|Concerning the plants, I still feel very much my discipleship. Until Munich, I really only thought I saw the ordinary ones. Admittedly, my hurried day and night journey was not favorable to such finer observations. Now I have my Linné with me and his terminology well memorized, but where should time and rest come from to analyze, which, if I know myself right, can never become my strength anyway? Therefore I sharpened my eye on the general, and when I saw the first Gentiana at the Walchensee, I noticed that I also found the new plants so far first at the water.
What made me even more attentive was the influence that the mountain altitude seemed to have on the plants. Not only did I find new plants there, but the growth of the old ones changed; if in the lower region branches and stems were stronger and fatter, the eyes were closer together and the leaves were broad, then higher up in the mountains branches and stems became more tender, the eyes moved apart, so that from node to node a larger space took place and the leaves formed more lance-shaped. I noticed this with a willow and a Gentiana and convinced myself that they were not different species. Also at Walchensee I noticed longer and more slender rushes than in the lower regions.|Goethe|''Italian Journey'', September 8, evening}}
Goethe first sought to find the archetypal plant in nature as an as yet unknown species, or even in the basic shape of a leaf or a stem. Once he thought he had found it in the botanical garden of [[w:Palermo|Palermo]]:
{{Quote|Palermo, Tuesday, April 17, 1787. It is a real misfortune to be pursued and tempted by many kinds of spirits! This morning I went to the public garden with the firm, calm intention of continuing my poetic dreams, but before I knew it, another ghost caught me, which had already been creeping up on me these days. The many plants that I was accustomed to seeing only in tubs and pots, and for most of the year only behind glass windows, stand here happy and fresh in the open air, and by fulfilling their purpose perfectly, they become clearer to us. In the face of so many new and renewed formations, I remembered the old cricket, whether I could not discover the original plant among this crowd. There must be such a one after all! How else would I recognize that this or that structure was a plant, if they were not all formed according to one pattern?|Goethe|''Italian Journey'', April 17, 1787}}


== Literature ==
== Literature ==

Revision as of 06:36, 11 March 2022

Rudolf Steiner, archetypal plant, Watercolor 1924

The archetypal plant is a concept from Goethe's theory of metamorphosis. It is the ideal archetype (the idea, conceptual archetype), from which all plant species can be thought to have emerged through modification.

„Goethe, before he came to his metamorphosis theory, was well occupied with that, what could be available to him in his time in knowledge of the spiritual world, and he got to know different ways, different means, through which man can try to approach the spiritual world. Only after Goethe's spirit was very, very deepened by the experiences, by the experiences with these means and ways, he started to grasp scientific ideas. And there we see, first of all, how Goethe, when he had come to Weimar and the means of the Jena University were gradually available to him, does everything to enrich his scientific knowledge and insights, but at the same time also does everything to gain coherent ideas about the various forms of organisms. And then again we see how Goethe starts his Italian journey, how he, while he is on the Italian journey, takes a look at everything he encounters in plant and animal forms, in order to study the inner relationship of the plant and animal forms in the rich diversity that now confronted him. And in Sicily he finally believed to have found what he then called his archetypal plant. What did Goethe think of as the archetypal plant? This archetypal plant is not a sensual entity. Goethe himself calls this original plant a sensual-supersensual form. It is something that can only be seen in the spiritual, but which is seen in this spiritual in such a way that when one sees a certain plant, one knows: this certain plant is a special form of the archetypal plant. Every plant is a special form of the archetypal plant, but no sensual-real plant is the archetypal plant. The archetypal plant is a sensual-supersensible being, which lives in all plants. So Goethe reached this idea: not only to pursue the different sensual forms, but to search for the one archetypal plant in all plants. With this he had, one could say, essentially deepened, very, very deepened, what had always existed as metamorphosis theory, and it was obvious to him to now also apply the idea of this metamorphosis theory on a wider scale to the organic, to the living...

plant
plant

Thus Goethe had recognized on one side in the plant leaf: When a plant grows, it develops leaf after leaf; but then, at a certain point, it completes the development of the leaf, and through the transformation of the leaf, first the petals are formed (see drawing b), but then also the stamens, organs with a completely different form, which are also nothing other than leaves, but transformed leaves. Thus, for Goethe, the whole plant is contained in the leaf.

So there is much that is invisible, supersensible in a leaf, the whole plant is in a leaf. Likewise, however, the whole head skeleton is already in the spinal column. Spinal column and head skeleton together form a whole, and the complicated head bones are just as transformed vertebral bones as the petals, indeed as the stamens and the pistil are transformed green leaves of the plant. Thus Goethe has the idea that that which lies supersensibly at the basis of the leaf transforms itself in the most manifold complicated ways and then becomes the whole plant; that that which lies in the spinal column transforms itself in a complicated way and becomes the head. This is essentially how far Goethe has come in his views.“ (Lit.:GA 171, p. 282ff)

Goethe writes about his botanical studies:

„The changeable nature of plant forms, which I had long followed on its peculiar course, now awakened in me more and more the idea that the plant forms surrounding us were not originally determined and fixed, but rather that they were endowed with a stubborn, generic and specific tenacity, a fortunate mobility and flexibility, in order to fit into so many conditions that act upon them above the earth's surface, and to be able to form and transform themselves accordingly.

Here the differences of the soil come into consideration; abundantly nourished by the moisture of the valleys, stunted by the dryness of the heights, protected from frost and heat in every measure, or both inescapably exposed, the genus can change to the species, the species to the variety, and these again by other conditions into infinity; and nevertheless the plant keeps itself closed in its realm, if it also leans neighborly against the hard rock, against the more mobile life over there and over there. The most distant ones, however, have a pronounced kinship, they can be compared among themselves without constraint.

As they can now be collected under one concept, so it became clearer and clearer to me little by little that the view could still be enlivened in a higher way: a demand that I had in mind at that time under the sensual form of a supersensual archetypal plant. I followed all the forms, as they appeared to me, in their changes, and thus at the last destination of my journey, in Sicily, the original identity of all plant parts became completely clear to me, and I now sought to pursue this everywhere and to become aware of it again.“

– Goethe: The author shares the story of his botanical studies (1817)[1]

Goethe received essential stimuli for his plant studies on his trip to Italy, which he embarked on in 1786. Already on the way over the Brenner Pass, he was able to gain important insights into how the climate modifies growth forms:

„Concerning the plants, I still feel very much my discipleship. Until Munich, I really only thought I saw the ordinary ones. Admittedly, my hurried day and night journey was not favorable to such finer observations. Now I have my Linné with me and his terminology well memorized, but where should time and rest come from to analyze, which, if I know myself right, can never become my strength anyway? Therefore I sharpened my eye on the general, and when I saw the first Gentiana at the Walchensee, I noticed that I also found the new plants so far first at the water.

What made me even more attentive was the influence that the mountain altitude seemed to have on the plants. Not only did I find new plants there, but the growth of the old ones changed; if in the lower region branches and stems were stronger and fatter, the eyes were closer together and the leaves were broad, then higher up in the mountains branches and stems became more tender, the eyes moved apart, so that from node to node a larger space took place and the leaves formed more lance-shaped. I noticed this with a willow and a Gentiana and convinced myself that they were not different species. Also at Walchensee I noticed longer and more slender rushes than in the lower regions.“

– Goethe: Italian Journey, September 8, evening

Goethe first sought to find the archetypal plant in nature as an as yet unknown species, or even in the basic shape of a leaf or a stem. Once he thought he had found it in the botanical garden of Palermo:

„Palermo, Tuesday, April 17, 1787. It is a real misfortune to be pursued and tempted by many kinds of spirits! This morning I went to the public garden with the firm, calm intention of continuing my poetic dreams, but before I knew it, another ghost caught me, which had already been creeping up on me these days. The many plants that I was accustomed to seeing only in tubs and pots, and for most of the year only behind glass windows, stand here happy and fresh in the open air, and by fulfilling their purpose perfectly, they become clearer to us. In the face of so many new and renewed formations, I remembered the old cricket, whether I could not discover the original plant among this crowd. There must be such a one after all! How else would I recognize that this or that structure was a plant, if they were not all formed according to one pattern?“

– Goethe: Italian Journey, April 17, 1787

Literature
References to the work of Rudolf Steiner follow Rudolf Steiner's Collected Works (CW or GA), Rudolf Steiner Verlag, Dornach/Switzerland, unless otherwise stated.
Email: verlag@steinerverlag.com URL: www.steinerverlag.com.
Index to the Complete Works of Rudolf Steiner - Aelzina Books
A complete list by Volume Number and a full list of known English translations you may also find at Rudolf Steiner's Collected Works
Rudolf Steiner Archive - The largest online collection of Rudolf Steiner's books, lectures and articles in English.
Rudolf Steiner Audio - Recorded and Read by Dale Brunsvold
steinerbooks.org - Anthroposophic Press Inc. (USA)
Rudolf Steiner Handbook - Christian Karl's proven standard work for orientation in Rudolf Steiner's Collected Works for free download as PDF.

References

  1. ↑ Goethe, Johann Wolfgang von; Kuhn, Dorothea; Troll, Wilhelm; Wolf, Karl Lothar (1964): Aufsätze, Fragmente, Studien zur Morphologie. Vollst. mit Erl. vers. Ausg. Weimar: Böhlau.
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