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'''Relief''' ({{French|le relief}} "elevation, that which is raised", from {{Latin|relevare}} "to lift up") is a pictorial artistic form of representation that stands out plastically from the background, and thus stands as an independent art form between surface-based painting and spatially designed sculpture. According to the height of the sculptural elevations, one speaks of a '''low relief''' or '''bas-relief''', a half-relief or a '''high relief'''. The Greco-Roman culture was a heyday of relief art. A special feature of ancient Egyptian art were the '''sunk reliefs''', where the image is made by cutting the figures itself into a flat surface. In a simpler form the images are usually mostly linear in nature, like hieroglyphs, but in most cases the figure itself is in ''low relief'', but set within a sunken area shaped round the image, so that the relief never rises beyond the original flat surface. They must not be confused with '''counter-reliefs''' in which the depicted figures were worked into the material in a completely negative manner as hollow forms. | '''Relief''' ({{French|le relief}} "elevation, that which is raised", from {{Latin|relevare}} "to lift up") is a pictorial artistic form of representation that stands out plastically from the background, and thus stands as an independent art form between surface-based painting and spatially designed sculpture. According to the height of the sculptural elevations, one speaks of a '''low relief''' or '''bas-relief''', a half-relief or a '''high relief'''. The Greco-Roman culture was a heyday of relief art. A special feature of ancient Egyptian art were the '''sunk reliefs''', where the image is made by cutting the figures itself into a flat surface. In a simpler form the images are usually mostly linear in nature, like hieroglyphs, but in most cases the figure itself is in ''low relief'', but set within a sunken area shaped round the image, so that the relief never rises beyond the original flat surface. They must not be confused with '''counter-reliefs''' in which the depicted figures were worked into the material in a completely negative manner as hollow forms. | ||
<gallery | <gallery perrow="4" widths="250" heights="200" class="centered"> | ||
Urfa museum Animal relief sept 2019 4772.jpg|Animal relief from the Neolithic [[w:Göbekli Tepe|Göbekli Tepe]] | Urfa museum Animal relief sept 2019 4772.jpg|Animal relief from the Neolithic [[w:Göbekli Tepe|Göbekli Tepe]] | ||
Akhenaten, Nefertiti and their children.jpg|A sunk-relief depiction of Pharaoh [[w:Akhenaten|Akhenaten]] with his wife [[w:Nefertiti|Nefertiti]] and daughters. The main background has not been removed, merely that in the immediate vicinity of the sculpted form. Note how strong shadows are needed to define the image. | Akhenaten, Nefertiti and their children.jpg|A sunk-relief depiction of Pharaoh [[w:Akhenaten|Akhenaten]] with his wife [[w:Nefertiti|Nefertiti]] and daughters. The main background has not been removed, merely that in the immediate vicinity of the sculpted form. Note how strong shadows are needed to define the image. |
Latest revision as of 14:26, 25 February 2022
Relief (French: le relief "elevation, that which is raised", from Latin: relevare "to lift up") is a pictorial artistic form of representation that stands out plastically from the background, and thus stands as an independent art form between surface-based painting and spatially designed sculpture. According to the height of the sculptural elevations, one speaks of a low relief or bas-relief, a half-relief or a high relief. The Greco-Roman culture was a heyday of relief art. A special feature of ancient Egyptian art were the sunk reliefs, where the image is made by cutting the figures itself into a flat surface. In a simpler form the images are usually mostly linear in nature, like hieroglyphs, but in most cases the figure itself is in low relief, but set within a sunken area shaped round the image, so that the relief never rises beyond the original flat surface. They must not be confused with counter-reliefs in which the depicted figures were worked into the material in a completely negative manner as hollow forms.
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Animal relief from the Neolithic Göbekli Tepe
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High relief metope from the Classical Greek Parthenon Marbles. Some front limbs are actually detached from the background completely, while the centaur's left rear leg is in low relief.
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A common mixture of high and low relief, in the Roman Ara Pacis, placed to be seen from below. Low relief ornament at bottom
See also
Literatur
- Rudolf Steiner: Wege zu einem neuen Baustil, GA 286 (1982), ISBN 3-7274-2860-0 English: rsarchive.org German: pdf pdf(2) html mobi epub archive.org
References to the work of Rudolf Steiner follow Rudolf Steiner's Collected Works (CW or GA), Rudolf Steiner Verlag, Dornach/Switzerland, unless otherwise stated.
Email: verlag@steinerverlag.com URL: www.steinerverlag.com. Index to the Complete Works of Rudolf Steiner - Aelzina Books A complete list by Volume Number and a full list of known English translations you may also find at Rudolf Steiner's Collected Works Rudolf Steiner Archive - The largest online collection of Rudolf Steiner's books, lectures and articles in English. Rudolf Steiner Audio - Recorded and Read by Dale Brunsvold steinerbooks.org - Anthroposophic Press Inc. (USA) Rudolf Steiner Handbook - Christian Karl's proven standard work for orientation in Rudolf Steiner's Collected Works for free download as PDF. |
This article is partly based on the article Relief from the free encyclopedia en.wikipedia and is licensed under Creative Commons Attribution/Share Alike. Wikipedia has a list of authors available. |