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[[File:Apokalyptic Seals Eliphas Levi.jpg|thumb|"The Seven Seals of Saint John", in: [[w:Éliphas Lévi|Éliphas Lévi]]: Dogme et rituel de la haute magie, vol. 2, Paris 1861, p. 364.]]
[[File:Apokalyptic Seals Eliphas Levi.jpg|thumb|"The Seven Seals of Saint John", in: [[w:Éliphas Lévi|Éliphas Lévi]]: Dogme et rituel de la haute magie, vol. 2, Paris 1861, p. 364.]]


According to occult tradition, the seven apocalyptic seals are not directly those seals which are broken at the opening of the book with the seven seals mentioned in {{B|Rev|5:1-14|ESV}}. Rather, the apocalyptic seals span a much wider range and represent the imaginatively seen [[astral]] [[archetype]]s of the entire evolution of humanity on earth in allegorical form. The capitals of the seven planetary columns, on the other hand, represent the level of the spiritual primordial tones or elementary forces, which can only be grasped through inspiration, in plastic forms. Through their transformation of form from pillar to pillar, they give a vivid picture of the [[planetary stages of world evolution]]. Due to the limited possibilities, however, the columns for the congress in Munich could initially only be executed as paintings. It was not until 1908/09 that the motifs of the planetary columns were realised in the model building in Malsch, which was built according to Rudolf Steiner's ideas. They were only created in full size for the [[First Goetheanum]].  
According to occult tradition, the seven apocalyptic seals are not directly those seals which are broken at the opening of the book with the seven seals mentioned in {{B|Rev|5:1-14|ESV}}. Rather, the apocalyptic seals span a much wider range and represent the imaginatively seen [[astral]] [[archetype]]s of the entire evolution of humanity on earth in allegorical form. The capitals of the seven planetary columns, on the other hand, represent the level of the spiritual primordial tones or elementary forces, which can only be grasped through inspiration, in plastic forms. Through their transformation of form from pillar to pillar, they give a vivid picture of the [[planetary stages of world evolution]]. Due to the limited possibilities, however, the columns for the congress in Munich could initially only be executed as paintings. It was not until 1908/09 that the motifs of the planetary columns were realised in the model building in Malsch, which was built according to Rudolf Steiner's ideas. They were only created in full size for the [[First Goetheanum]].
 
When designing the first six seal images, Rudolf Steiner was guided by the seals on the Apocalypse shown by the French occultist [[w:Éliphas Lévi|Éliphas Lévi]] (1810-1875) in his work ''Dogme et rituel de la haute magie''.<ref>Éliphas Lévi: ''Dogme et rituel de la haute magie'', volume 2, Paris 1861, p. 364 [https://archive.org/details/b24884340_0002/page/364/mode/2up archive.org]</ref> Steiner designed the seventh seal, which establishes the reference to the New Jerusalem, entirely independently.<ref>Bernd Lampe: ''Das Buch mit den sieben Siegeln'', in: ''Das Goetheanum'' Nr. 7, 14. February 2014, S. 5 ff.</ref> He said about the deeper meaning of the seal images:


==Literature==
==Literature==
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{{GA}}
{{GA}}
== References ==
<references />


[[Category:Apocalypse of John]]
[[Category:Apocalypse of John]]
[[Category:Apocalyptic Seals]]
[[Category:Apocalyptic Seals]]
[[de:Apokalyptische Siegel]]
[[de:Apokalyptische Siegel]]

Revision as of 06:52, 2 May 2022

The Apocalyptic Seals were designed by Miss Clara Rettich according to Rudolf Steiner's sketches for the Congress of the "Federation of European Sections of the Theosophical Society", which took place in Munich from 18 - 21 May 1907. The planetary columns between the seal images were created by Karl Stahl.

The meaning of the seals

"The Seven Seals of Saint John", in: Éliphas Lévi: Dogme et rituel de la haute magie, vol. 2, Paris 1861, p. 364.

According to occult tradition, the seven apocalyptic seals are not directly those seals which are broken at the opening of the book with the seven seals mentioned in Rev 5:1–14. Rather, the apocalyptic seals span a much wider range and represent the imaginatively seen astral archetypes of the entire evolution of humanity on earth in allegorical form. The capitals of the seven planetary columns, on the other hand, represent the level of the spiritual primordial tones or elementary forces, which can only be grasped through inspiration, in plastic forms. Through their transformation of form from pillar to pillar, they give a vivid picture of the planetary stages of world evolution. Due to the limited possibilities, however, the columns for the congress in Munich could initially only be executed as paintings. It was not until 1908/09 that the motifs of the planetary columns were realised in the model building in Malsch, which was built according to Rudolf Steiner's ideas. They were only created in full size for the First Goetheanum.

When designing the first six seal images, Rudolf Steiner was guided by the seals on the Apocalypse shown by the French occultist Éliphas Lévi (1810-1875) in his work Dogme et rituel de la haute magie.[1] Steiner designed the seventh seal, which establishes the reference to the New Jerusalem, entirely independently.[2] He said about the deeper meaning of the seal images:

Literature
References to the work of Rudolf Steiner follow Rudolf Steiner's Collected Works (CW or GA), Rudolf Steiner Verlag, Dornach/Switzerland, unless otherwise stated.
Email: verlag@steinerverlag.com URL: www.steinerverlag.com.
Index to the Complete Works of Rudolf Steiner - Aelzina Books
A complete list by Volume Number and a full list of known English translations you may also find at Rudolf Steiner's Collected Works
Rudolf Steiner Archive - The largest online collection of Rudolf Steiner's books, lectures and articles in English.
Rudolf Steiner Audio - Recorded and Read by Dale Brunsvold
steinerbooks.org - Anthroposophic Press Inc. (USA)
Rudolf Steiner Handbook - Christian Karl's proven standard work for orientation in Rudolf Steiner's Collected Works for free download as PDF.

References

  1. ↑ Éliphas Lévi: Dogme et rituel de la haute magie, volume 2, Paris 1861, p. 364 archive.org
  2. ↑ Bernd Lampe: Das Buch mit den sieben Siegeln, in: Das Goetheanum Nr. 7, 14. February 2014, S. 5 ff.
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